[The New Yorker, via nevver.]
seems like movies are pretty extreme, like people die or almost die in these really dramatic over-the-top ways and the cinematographer or director’s gotta be all “hey let’s put the camera right next to their face so it’s like the audience is right there” and i’m like “duh okay i get it, you…
[cause he’s a creep, he’s a weirdo.]
In 1919, Victor Tausk, a disciple of Sigmund Freud, committed suicide by simultaneously hanging and shooting himself. “I have no melancholy,” he wrote in his suicide note, which was addressed to Freud. “My suicide is the healthiest, most decent deed of my unsuccessful life.” His essay, “On the origin of the ‘Influencing Machine’ in Schizophrenia,” which has since become a classic in psychiatric literature, had just been published.
In the article, Tausk described the elaborate mechanical devices that paranoid schizophrenics invent in their imaginations to explain away their mental disintegration. As the boundaries between the schizophrenic’s mind and the world break down, they often feel themselves persecuted by “machines of a mystical nature,” which supposedly work by means of radio-waves, telepathy, x-rays, invisible wires, or other mysterious forces. The machines are believed to be operated by enemies as instruments of torture and mind-control, and the operators are thought to be able to implant and remove ideas and feelings, and inflict pain, from a distance.
Influencing Machines are described by their troubled inventors as complex structures, constructed of “boxes, cranks, levers, wheels, buttons, wires, batteries and the like.” Sometimes these devices are thought to be their doubles, unconscious projections of their fragmented bodily experience. Patients will typically invoke all the powers known to technology to explain their obscure workings. Nevertheless, they always transcend attempts at giving a coherent account of their function: “All the discoveries of mankind,” Tausk asserts, “are regarded as inadequate to explain the marvelous powers of this machine.”
(Source: The Near Sighted Monkey)
[The mirror, by Will Barnet, 1981.]
(Source: themagiclantern)
[Broship’d Bilbo by Noelle Stevenson.]
[from Silhouettes from Popular Culture by Olly Moss.]
[Death Of A Cyborg by Shorra (based on Premier Deuil by Bouguereau), via Empty Kingdom.]